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Hotel Humanity

February 23, 2017 By admin

hotelhumanityT R A V E L   It has long been a secret desire of mine to spend my life living in a hotel. It doesn’t matter where, although the larger the city, the more appealing that life becomes. If money were no object, if family could re-adjust the values I planted in them about hearth and home, kith and kin, yeah, I could live indefinitely in a hotel. Sure, having your room cleaned, your laundry washed, and your bed made by someone else every day, not to mention the convenience of hotel restaurants, room service, reduced long-term rates and all that, makes it a sweet trade off for utility bills and fees we pay to “sit tight,” but there’s more to it than that. Hotel life isn’t for people with children, dependent elderly parents, or collectors of Hummel figurines, but it works for some people.

It doesn’t matter in what city I’ve stayed, or what hotel. As long as they have a bar the clientele never changes. There’s the woman in the slinky dress sitting on the corner of the bar sipping a split of champagne. Is she a hooker? Hard to tell. There’s the older businessman, distracted, but eyeing the women from either the end of the bar or from a table while he tries to look important as he makes text after text. There’s the loudmouth who bellows about his room, the service, the price of the drinks, anything he can think of. Anything to be noticed by everyone else, who largely ignores him. He’s the one who pisses off the bartender, who angrily throws the empty beer bottles in the trash with a deafening clang while she impatiently watches the last fifteen minutes of her shift tick by on the clock. There’s the couple, usually sitting at a corner table kissing and nuzzling, preparing to go upstairs to their room for a night of wild monkey love. There’s the dad who slipped down to the bar for a beer (no glass) after his wife and kids finally fell alseep in their room. There’s the group of conventioneers complaining about the traffic and sweating themselves through glasses of Jim Beam and gobbling the overpriced burger plate while trying to outdo each with how early their wake up calls are going to come in. And then there’s me, sitting at the bar, largely invisible, listening to the conversations and studying the human condition.

Yeah. That’s what I love about hotel life. It’s not about the room or the service or the little soaps, it’s about the people. Forget the gym, forget the pool, forget the spa. The bar is the only place you’ll encounter hotel humanity.

Steph Waller is an author and composer. Books One and Two (With A Dream and With A Bullet) of her rock and roll series, Beyond The Bridge,  takes places in late 70s London. Read more at Bucksnort Chronicles and SKWaller.com.

Filed Under: TRAVEL

I’ll Give You A Driveway Moment

February 21, 2017 By admin

drivewaymomentF I C T I O N   You want a driveway moment? I’ll give you a driveway moment. No, it’s not some sad, uplifting, or enlightening story I’m listening to on NPR. And it’s not a favorite golden oldie on WWAM. Nor am I out here in the car contemplating the theory of relativity.

I’m sitting in the car that is parked in my driveway because I don’t want to go inside my house – at least not yet. Because when I walk through that door I have to be an adult who worries about my spouse (who thinks I take our marriage for granted), about my grown children (who won’t leave home), and about my parents (who may soon need to go into a home), and about planning for retirement (a train that has long since left the station).

Driving home from work I was able to find respite from all these wonderful topics, but now that I’m in the driveway, the only thing between me and the boogey man is the sanctity of my car. It may be old and have over 150,000 miles on it, but the seats still smell leathery and I am comfortable behind the wheel. I know everything about this car. The new tires on the back, each of the disc brake rotors I’ve had replaced, the new radiator hoses, it’s all documented in my mind. Really, when I think about it, I realize I have replaced 50-60% of the car by now. But the sound system is still A-1 so I can listen to some soothing classical music while working up the courage to leave the comfort of my “cabin.” Might as well put the seat in the reclining position to see if that will lessen the throbbing sensation in my frontal lobe. That’s working. I can already feel my heart rate slowing down, my hands have stopped clenching, and the damp brow is drying off.

I feel transported to a better place – a place where no demands are made of me. When I’m hungry, food appears. When I’m drowsy, a soft bed is there for me. Everyone speaks softly and we are gentle with one another. The sense is that everyone is solicitous without verging on obsequious. This is good – very good.

A loud rapping noise on my window shatters the reverie into a thousand tiny pieces. My son is staring at me through the fogged up window and mouthing some words. I’m confused – I don’t know what he’s trying to tell me. He makes a motion that I should lower the window, and I comply.

“Can you move your car so I can get mine out?”

No hello. No how are you. Doesn’t ask if I’m okay. Just stands there looking idiotic wearing a backward ballcap, waiting for me to move on, so that he can move on.

Fine. Until tomorrow then. This driveway moment is over.

Jay Harrison is a graphic designer and writer whose work can be seen at DesignConcept. He’s written a mystery novel, which therefore makes him a pre-published author.

Filed Under: FICTION Tagged With: boogey man, driveway moment, fogged window, NPR

Talk to Me

February 7, 2017 By admin

F I C T I O N   talkingpasteachother“Dad and I are buying a condo near Boulder.”

“Why?”

“So we can all be together on the weekends.”

“And do what?”

“You and Huston and Lola can board; Dad and I will ski.”

“Mom, I’m not into Boulder yet. Why are you jumping on Colorado? Remember my applications to Tulane and Miami? Where’s my flannel? I threw it in the laundry room yesterday. Can’t find it. I’m meeting up with Guy and Finn in thirty. Can we move on this? Chop, chop.”

“Don’t be disrespectful. I’m at the end of my rope….and prescription.”

“Chill mom. What prescription? I thought you were in a twelve step; sounds like not!”

“None of your business. I hope you never have to deal with three little whiners. The last time you even said ‘thank you’ was when we gave you the Beemer on your birthday. Now, nothing! No ‘please,’ no ‘thank you’ just a bunch of demands that make me crazy. One year of college for you, not to mention the other two kids, is going to cost more than I spent on Dr. Steinmetz all of last year. Botox isn’t cheap and if you add in the spa trips…well it’s a lot!

“Mom, get it together. Find my flannel so I can get going. I need your card, out of gas.”

“Take the Amex Black but don’t tell Dad. He’s so freaked out about everything these days. No humor, nothing. He’s thinking of selling the winery because it’s running at a loss. I told him, “Winery? Are you crazy? You only drink Scotch and what the hell do you know about wine? The Brownleys are a bad influence hon and just because they like wine doesn’t mean you had to buy a winery! God, you’re such a doormat. To be honest, you’re way too nice to Drake and Gina. Did you see that rock on her finger at the club last night? I wonder what she had to do to get that! Fake, fake, fake and I hope that diamond’s fake too. Would serve her right!”

“Mom, calm! Don’t beat Dad up! I’m outta here. Screw the flannel…later!”

“Text me, Linden, and don’t forget to pick up Huston at practice. Did you see my phone?”

“On the table, Mom. It buzzed. Gina.”

Kim Kohler writes on the uncertainties of living in a liberal hot spot where everybody has an opinion, every opinion counts and nobody uses turn signals.

Filed Under: FICTION

I Know Right?

February 7, 2017 By admin

PrintNot really sure how to punctuate that title but I do know that it seems to be the millennial phrase of the moment. And it won’t last long, so you better catch it while you can.

I first noticed the phrase being used profusely by wait staff in restaurants. You would order a particular dish and when the waiter asked you if you enjoyed your meal you might respond that it was very good and spicy. To which the waiter would respond, “I know right?” I find this response very endearing, because the intent is right there on the surface. She is agreeing with you that it’s spicy and not in a condescending way, as though you’re an idiot baby boomer and you just figured out the green chile is going to be hot. Rather, the objective is to convey camaraderie. She has eaten the same dish and also thought it was very spicy. You two are now simpatico.

I’m not suggesting that millennials are intentionally using this phrase to establish a connection with customers or older adults. At least the different speakers that I’ve heard using it come across as very genuine. I put a question mark at the end of the phrase and no comma after the word “know” because there is no pause but there is a slight upward inflection at the end of the sentence (technically known as HRT….high-rise terminals). It’s also called “uptalk” and is generally popular with teenagers and millennials, but I’ve heard uptalkers all my life, so it’s been around a long time. I find that it conveys a shyness or unassertiveness, but some people think it conveys a lack of conviction. The speaker is agreeing with you but the upward inflection gives them a way out if you don’t agree.

Too technical? OK, that was a real question. The answer is maybe, but baby boomers better get used to millennial speech patterns because they are going to be talking to us everywhere we go for many more years to come. Linguists suggest that younger speakers will grow out of uptalk over time.

To which I say, I know right?

Jay Harrison is a graphic designer and writer whose work can be seen at DesignConcept. He’s written a mystery novel, which therefore makes him a pre-published author.

Filed Under: ESSAY

Planning for Advancing Decrepitude

January 18, 2017 By admin

keefringoE  S  S  A  Y    I’ve been thinking lately that I’m going to start keeping my eyes on two people as signs of how I should spend the final years of my life. Whichever one outlives the other will tell me what I need to know about the validity of healthy living.

Here’s Ringo Starr, who will turn 77 next July. Damn, he looks good! That trim, tight little body looks better than it did back in the heyday of the Sixties! I’ve always adored Ringo. From the original Ed Sullivan Show broadcast of the Beatles to today, Ringo is the Beatle I’d most invite over to sit on my front porch. He’s down-to-earth, homey, and even a little silly.

Ringo had a hard time dealing with the breakup of the Beatles and turned to drink to help him cope. He also was pretty fond of the nose candy. Trust me. I knew his dealer in Hollywood. I don’t know if he still enjoys a hit of pot once in a while or not, but I doubt it. He and his wife, the luscious Barbara Bach, went through major rehab and I doubt they’d mess it up over a little reefer. Besides, that new body of his shows absolutely no trace of Cheetos or fried pork rind munchies. No, this is one clean-living, sober, vegetarian man.

Next, we have Keith Richards, who will turn 73 on Sunday. He’s rock  & roll’s original bad boy, bad man, and bad old fart. He’s a pirate. He smokes, drinks…who know what all, and I doubt he’s a vegetarian. No, he doesn’t look as good as Ringo, but then, he never did. Earlier pictures of the Stones should have prepared us. But he’s still out there. Like Ringo, he continues to tour, record, and make great music. We should all be so decrepit!

I love Keef. I love his philosophies about life and I love his ability to not give a rat’s ass what any of us think about him. He just marches along to the beat of his own drum, laughing all the way, leaving a trail of cigarette butts behind him and dropping gems like, “The point is, who are you? Do you know yourself, and can you handle it?” and “It’s not about living forever, it’s about living with yourself forever.”

I’m going to watch these two icons and see which one goes first. Whichever one survives will dictate how I’ll live my remaining years. If Ringo lives longer, I’ll clean up, exercise, eat better, and who knows? Maybe I’ll get myself a drum set and go back to playing. If Keef is the one to survive, then I’m going to start doing all the things I didn’t do during the 1960s and ’70s. Yeah, I know I did a lot, but not as much as either of these blokes.

Either way, because I’m younger, I’m pretty sure I’ll outlive both Ringo and Keef. We’ll see what happens after that.

SK Waller is an author and composer. Books One and Two (With A Dream and With A Bullet) of her rock and roll series, Beyond The Bridge,  takes places in late 70s London. Read more at SK Waller Blog and SKWaller.com.

Filed Under: ESSAY Tagged With: Beatles, Ed Sullivan, Keef, Keith Richards, Ringo

Working the Art

January 18, 2017 By admin

abstractartA R T S    By gallery standards the canvas was rather compact, about one by two feet; painted in the horizontal format favored by landscape artists. It was possible to pass by without it making an impact though viewers who happened to pause were rewarded by a moment of exhilaration and possibly even the light-headedness associated with drinking Champagne. The first time I visited the gallery I walked right by the work. Later, at a party, I heard the critic, Masi Clarkson, talking about ‘effervescence’ and the ‘ethereal quality of light.’ The visual image had wormed its way into my subconscious; I knew exactly what piece he was talking about.

I went back to the gallery at the end of a harried day. It was raining and the wet afternoon walk down the street and up a steep flight of slick stairs nearly made me change my mind. I entered through the stone entryway and ahead into the gallery. There were a few diehards left from day visits. The after-work group, often there as much for the wine as the art, had not yet left their offices. Later they would fill the gallery with the murk of a hundred conversations. The smell of Chardonnay spilled from plastic cups onto the wood floor would mingle with expensive perfume, the scent of fancy coffees created by street venders in their kiosks, and the sticky odor of weed.

My second visit coincided with being in a literal drought with my own art. Nothing was working. There is only so much inspiration one gets from outside the brain and eventually the thought occurs that maybe there is nothing new to say with paint. I wait, with no shortage of anxiety, for the return of the muse. Visiting galleries and art museums can jiggle loose some creativity but there are no guarantees.

I approached the painting, hung midway down the chocolate colored wall, and was surprised and happy to have it to myself. Is that a face? Where did that amazing color come from? What’s behind the image? That is a face! I stood there dumbstruck, squinting and weaving my head side to side as I tried to identify what I was seeing. I was so drawn into the work, time stopped until I heard chattering behind me. A mom said, “Keep going, this one’s too hard for you to understand.” “Mom, that’s a face!” “No, I don’t think so, what a weird color, the artist must be depressed” she said. “I like how it looks like there is a light behind the color” said the kid. “No, artists try to trick people into thinking there is something to their art. Most of the time there isn’t. Artists are weird and they think abut things in a weird way. Let’s go. If we hurry, we can make it to the gift store and I’ll buy you that book about the color wheel.”

Kim Kohler writes on the uncertainties of living in a liberal hot spot where everybody has an opinion, every opinion counts and nobody uses turn signals.

Filed Under: ARTS

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